Recipient of the 2021 Critical Read Fellowship.

Nominated for the 2020 Pushcart Prize.

Joe is a mature writer with a considered approach.
(Andrew O’Hagan, LRB)

Whether writing grants for the UNHCR, or story pitches to National Geographic, Joe’s subject matter expertise shines through.
(Aaron Friedland, The Simbi Foundation)

Joe’s intellectual capacity means he’s the first person I ask to review writing. He takes great care in his edits, and provides creative solutions others don’t see.
(Laurence Vardaxoglou, Ogilvy)

Well-written, engaging…avoids cliché, instead bubbling gently along with a well-acted naturalism.
(Three Weeks)

This show is calm and quiet, yet able to deliver raw and ruthless performances.

(The Stage)

This script is nothing short of perfect.
(The Stage)

Joe is the best content writer in the universe, and an amazing guy!
(Mom)

The kind of show that goes unnoticed, overshadowed by some of the bigger, more well-established theatre troops, but if this brilliantly acted, clever and original reflection on life is anything to go by, then Revolving Shed are definitely one to look out for in the future.
(Broadway Baby)

Conversations between the characters are casual, yet unnerving (a rare combination of qualities)…all is masterfully controlled.

(EdFringe Review)

“A neat framing device sets up the idea of human life being something between everything and nothing, existing in the momentous and the mundane.”
(The List)


Have we worked together? Let me know your thoughts.